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Pink and Blue bits and pieces in a 12" block |
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| Brown, Blue, and Green bits and pieces in a 12" block |
I'm combining leftover units and parts of units to make an orphan blocks quilt. It's like putting together a jigsaw puzzle, except there is no finished picture to go by! 🤪
I'm going to try to make other sizes of blocks as well, so the top will be more varied and interesting.
Lots more fun to be had!
Happy Quilting. 😸
I love D9Ps, but I hadn't tried doubling the pattern until now!
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| Double D9P (80" x 80") |
I had a layer cake of which I wasn't too fond, so I put it to work trying this. A double D9P isn't hard--you just do the cutting and sewing twice. Start with a nine-patch, cut it in quarters, then use those pieces for the corners in a bigger nine-patch, and cut that one in quarters. Arrange in the pattern you prefer. I have some instructions on making a standard D9P HERE.
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| Double D9P (Backing and binding detail) |
Next time, I'm starting smaller. If I use 2" blocks to make the first nine-patch, the second iteration blocks will be 3", much smaller than the 7.5" from my first attempt. I could even, perhaps, triple the procedure to see what that would look like.
I see more experiments in my future!
Happy Quilting! 😸
This is a book of historical fiction about a Mennonite family who left their Pennsylvania home during the US Civil War to emigrate to Canada.
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| Smucker, Barbara. Selina and the Bear Paw Quilt. Illustrated by Janet Wilson. Crown, 1995. ISBN: 978-0517709047 |
The book begins with an author's Introduction explaining the historical setting for the book. Pacifist Mennonites in the United States were believed disloyal by both the North and the South because they would not participate in the War. As a result, they were the victims of religious persecution and violence. Many Mennonite families left the US to settle in Canada. This is the story of one of those families.
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| Selena watches her mother quilt by the light of the oil lamps. |
Selina's grandmother makes a Bear Paw quilt from fabric which includes scraps of family clothing scraps. As she works, she tells Selina the stories represented by the fabrics.
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| Selina and her grandmother with the Bear Paw quilt |
Selina's parents make plans to move to Canada away from the War. They are sad to leave their farm, and even more sad that Grandmother will not be going with them. Grandmother explains, "I am old now, too old to start my life again," and she will be staying behind to live with her brother and his family.
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| Selena meets her Canadian Uncle's family |
As a going-away gift, Grandmother gives Selina the Bear Paw quilt top. When the family reaches Canada, Selina shows it to the branch of her family already living there, and discovers that her quilt and theirs have pieces in common. Plans are made to finish the Bear Paw quilt, and it will be for Selina's bed in the family's new home.
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| Showing the quilt to her new family |
Janet Wilson's illustrations in the book are warm and lovely, and they are bordered by many different quilt patterns. The endpapers show examples of Bear Paw blocks. The back of the book is a legend for the quilted borders of the pages.
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| Endpapers |
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| Back cover of book |
In this picture book, we have a quilt as representative of family connection and of the comfort of the familiar in a new place or situation.
Happy Quilting! 😸
A reminder--you can find my posts on Quilts in Children's Literature by clicking "Children's Literature" in the list of labels on the right-hand pane of this blog.
NOTE: I found my books used from BetterWorldBooks.com. I can highly recommend this site. Not only do they always have free shipping, but they also contribute a book to someone in need for every book you buy. I was not compensated for this recommendation--I just love doing business with them.If you have read my blog (or just looked at the pictures!) you know that I delight in string blocks. This is my latest string project.
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| String Carpenter's Star (82" x 82") |
Carpenter's Star (sometimes called Carpenter's Wheel) is a traditional pattern, and layout charts are available in many places online (the one I used is HERE), but I substituted string blocks for the regular color or print blocks.
I drew it on EQ8, so I could get an idea of what I would need.
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| EQ8 Plan--I did change the four corners to string blocks rather than the plain ones shown. |
I can never get an adequate look at the variety of strings in my blocks with the program, but it did help with my numbers and placement for the blocks.
The blocks finish at 4", the quilt is a combination of full string blocks, HSTs of strings and background, and plain background blocks. (I did use rectangles of background fabric as a kind of border around the center part instead of using a bunch of plain background blocks sewn together.)
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| String Carpenter's star (center detail) |
It took me a bit of time to assemble. I started with the center and built it outwards; this way I could see the pattern coming together as I went--trying to do it row-by-row didn't fit in my brain!
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| String Carpenter's Star (backing and binding detail) |
I found a piece of 108" backing in my stash. With all the seams in the top, I thought a one piece backing would be easier to quilt. Quilting is not my strong suit, so it is stitched in the ditch between blocks; I also stitched just inside the edges of the zigzagging string blocks.
I am happy with the result. I've always wanted to try this pattern; I think it makes a beautiful quilt. In substituting the string blocks, I made it a little different from the norm. This substitution can work in many projects.
In this one, I used the Arkansas Crossroads pattern.
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| String Crossroads |
This one is Stringy Lanes which uses the Sunny Lanes pattern.
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| Stringy Lanes |
Here is a Bear Paw with string blocks.
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| Bear Paw |
The possibilities are limitless. If you enjoy string blocks, be on the lookout for non-traditional ways that you can use them.
Happy Quilting! 😸
While I can plan string quilts on EQ8, the pictures never show the real variety of string blocks.When I made Multi-Color Stars, I mentioned that I was going to make an experiment to see if I could show the layout to better effect. Here are the results.
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| String Stars 65" x 75" (straight layout) |
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| String Stars 65" x 75" (offset layout) |
Other than the layout, these quilts are alike in overall size, size of blocks (4.5" finished), mix of strings, and fabric for the stars. With the straight layout, the string diamonds come together in fours (focus on the shape formed by the diamonds).
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| Straight |
With the offset layout, the string pattern includes diamonds and zigzags.
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| Offset |
Because they are string blocks, they are busy and the secondary pattern of strings can be hard to see. Done in two colors, it would likely be more obvious, but I like the variety of scrappy string blocks.
I finished both with the same backing and binding.
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| Straight |
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| Offset |
I am pleased with both layouts, and I really have no preference for one over the other. What do you think?
Happy Quilting! 😸
"Grandma had a million stories in that quilt." In this book featuring an autograph quilt, Sadie and her Grandma share the stories of their family.
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| Root, Phyllis. The Name Quilt. Illustrated by Margot Apple. Farrar, Straus, and Giroux, 2003. ISBN: 9780374354848 |
Sadie loves visiting her Grandma for the summer. They go fishing, do chores, and drink lemonade. But one of the best things happens every night. As Grandma tucks Sadie into bed, she tells family stories about the people whose names are embroidered on the name quilt.
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| The Name Quilt |
Sadie hears stories prompted by the names and fabrics. Sadie finds out about her aunt Avonelle whose patch is made from a dress she ripped when she rode the hogs. Sadie learns about her mom from a piece of a skirt that she stained with blackberry juice when she was young. There is a patch of Grandma's plain wedding dress--"'We didn't have money for fancy dresses back then,' Grandma said." Sadie loves all the stories the quilt inspires.
One day, however, a storm blows through when the name quilt is on the clothesline.
Both Grandma and Sadie are fine and the house is intact, but the name quilt is gone. Sadie is sad that the stories are gone, but as Grandma says, "'You think I need a quilt to remember for me? I keep all those names and all of those stories right here inside of me.'"
Sadie and Grandma then recreate the name quilt adding some patches that represent the storm and one in the center that has Sadie's name on it.
Margot Apple's soft and colorful illustrations add to the appeal of this book. They mirror the action and add small touches to the story that enhance the words of the author.
This book highlights the quilt as a symbol of family heritage and the power of story-telling.
Happy quilting! 😸
A reminder--you can find my posts on Quilts in Children's Literature by clicking "Children's Literature" in the list of labels on the right-hand pane of this blog.
NOTE: I found my books used from BetterWorldBooks.com. I can highly recommend this site. Not only do they always have free shipping, but they also contribute a book to someone in need for every book you buy. I was not compensated for this recommendation--I just love doing business with them
